Tag: Falmouth School of Art

Manon de Boer – screening and Q&A

WEDNESDAY 14 FEBRUARY 2018

Another chance to catch up on some cubist inspired filmmaking from Manon de Boer. With a Q&A hosted by ex Falmouth School of Art student, Laura Smith on her last day as the curator with Tate St Ives.

Manon’s career began as a sculptor and photographer and transcended into filmmaker while capturing her friends on super-8 film. She has since filmed on 35mm for Presto and 16mm, popular for low-budget motion pictures, for film Dissonant.  Her best-known films include a series of portraits, in which the film medium itself is continuously interrogated.

Her work is appreciated internationally and has been featured at the Venice Biennale (2007), Berlin Biennale (2008), Sao Paulo Bienal (2010) and Documenta 13 (2012). Her work is has also been screened at film festivals in Hong Kong, Marseille, Rotterdam and Vienna.

Two films were shown at the Falmouth School of Art screening: Dissonant, which records every movement of dancer Cynthia Loemij and Presto, Perfect Sound, which focuses on composer and violinist, George Van Dam, as he performs the Béla Bartok’s sonata.

Both films was intense and concentrated on the sound rather than the image. This is particularly evident in Dissonant, when the screen turns black during the one minute that is needed to change the 16mm film roll.

Presto, wass a perfect reflection of creative concentration, enhanced by the editing as the film captures the best of his six performances. The fractured image serves to intensify the sound.

She is now developing a new piece of work which will be launched in Cornwall on May 5th this year for the Groundwork programme.

Lisa Milroy – Still Life

Monday 5 February 2018

So far the weekly evening lectures at Falmouth School of Art have focussed on some interesting artists whose work is new to me. Lisa Milroy was the latest candidate to take the stage and fill in the gaps in my comprehension of modern art.

A practitioner of still life in the 1980s, her work doesn’t focus on the normal bowl of fruit, flowers, wine glasses or skulls seen in many Renaissance still life pieces.  Instead, her paintings feature ordinary objects such as shoes, lemons or doughnuts. Her stylistic renderings reflect her contemplation of duality, composition & placement, surface & object, presence & absence. Her shoes reflect on the concept of being part of a pair or being an individual.

Lisa enlightened the audience with her thought processes behind her paintings, explaining that the shoes are a device for expressing emotion. That the repetition of painting them gave her a sense of knowing, that she had truly experienced the object. She also confessed to a certain amount of loss when the artwork was complete and their study had ended. She likened this to an appetite, a need, a hunger to know the objects every detail and appreciate its every possibility.

Lisa Milroy was born in Vancouver but works mainly in London. She won First Prize in the John Moores Painting Prize in 1989and was an Artist Trustee of the Tate from 2013 -17. Her work is exhibited widely on the international and national stage and is held in many public and private collections.