Tag: porthmeor studios

Virginia Woolf – To the LIghthouse

Divine, is the only way to describe my total absorption into the world of Virginia Woolf recently.

Not only was I privileged to explore the recently opened Virginia Woolf inspired exhibition at the Tate St Ives on a personalised tour with director Anne Barlow. But I also spent a whole day at Porthmeor Studios with two renowned Virginia Woolf experts.

The intriguing new Woolf exhibition, housed in the new extension is inspired by her writing. It offers a narrative with a feminist perspective on landscape, domesticity and identity through modern and contemporary artwork. The exhibition includes some outstanding work by  Laura KnightGwen JohnVanessa BellWinifred NicholsonSandra BlowBarbara HepworthClaude Cahun and Dora Carrington.

Inspired by the premise of the exhibition I then joined a small group of twenty on a windy but bright study day, in St Ives. Sarah Phillips and Claire Nicholson, our Masters on Woolf for the day, bestowed on us a deeper insight into the Virginia life. Focussing particularly on her St Ives inspired novel To the Lighthouse, one of my particular favourites, the study day further opened my eyes to the influence of her childhood in Cornwall on her writing.  Symbolically the rare glorious sunshine illuminated the stunning seascape beyond the studio window’s, making it easy to understand how Woolf had been so taken with the landscape that surrounded her during her early years.

Claire Nicholson, is a specialist in Modernism, the history of women’s writing and Virginia Woolf who frequently lectures in Cambridge.  Sarah Phillips, who has made a career of studying the Bloomsbury art and literature has more recently focused her attention on Woolf as a Cubist Writer. Both knowledgeable speakers on all things Woolf, they are naturally also Executive members of the Virginia Woolf Society.

Unfortunately, I shall miss the Virginia Woolf: Art and Ideas conference, scheduled at the Tate St Ives on the weekend of the 2-4 March. Delivered by a huge collection of highly respected speakers and focusing on Landscape & Place, Performing Identity, Still Life, the Home & The Private Self, the conference will no doubt offer further in-depth insight into Woolf’s personal life and writing.

Alessio Antoniolli – Porthmeor Studios

ART BLOG
FRIDAY 16 FEBRUARY 2018

Once again I was lucky enough to be invited to Porthmeor Studios for another of the ‘Lunch Break Talk’ series. Alessio Antoniolli was to be our speaker for this session, which was hosted by the Artists Residency Programme in partnership with Cultivator Cornwall.

This was my second visit to St Ives since the new year.  It was also my second chance to mingle amongst the resident artists while I spooned delicious homemade soup from a mug and chomped on chunks of tasty bread.

Alessio’s a passionate, fluent and enlightening talk, dissolved all fears I had of falling into a post-lunch slumber. A naturally gifted speaker Alessio focussed his engaging talk on the unique opportunities offered to artists by  Gasworks and the Triangle Network.

At Gasworks, Alessio leads a programme of research and development.  This non-profit contemporary visual art organisation offers rare fully funded residency opportunities. Gasworks encourages artists to develop new ideas through educational projects, events and workshops. It also organises exhibitions to accompany these programmes. And encourages audiences to engage directly with the often groundbreaking, emerging UK and international artists it hosts. A priceless opportunity, particularly for artists with a small reach.

At its South London HQ, the easy-going, relaxed environment helps to inspire minds and develop talent. Gasworks is also the hub for the Triangle Network. Now a global support system for artists and visual arts organisations, with over four thousand members. The Network supports artistic development and promotes cultural exchange. Through exhibitions,  events, workshops and studio residencies in over forty countries, the Network creates opportunities to bring a variety of artists together in neutral spaces.

Both the Gasworks and Triangle Network have gone from strength to strength under Alessio’s guidance in the last twenty years. Together they offer exceptional opportunities for artists from all corners of the world to research ideas and develop work.

During his talk at Porthmeor, Alessio also hinted at the possibility of residency exchanges, which prompted some interesting enquiries during the Q&A session which followed on at the end.

Mythogeography – a guide to walking sideways

ART BLOG

It was an absolute delight to secure a place on the ‘Lunch Break Artists Special’ at Porthmeor studios with Phil Smith. And a delight to join his ‘Mis-Guided Wander in St. Ives’ in the afternoon.

Never heard of Mythogeography before?
Well, don’t feel embarrassed, neither had I until Phil’s talk on the subject.

Mythogeography describes a way of thinking about and visiting places where multiple meanings have been squeezed into a single and restricted meaning (for example, heritage, tourist or leisure sites tend to be presented as just that, when they may also have been homes, jam factories, battlegrounds, lovers’ lanes, farms, cemeteries and madhouses). 

Mythogeography emphasises the multiple nature of places and suggests multiple ways of celebrating, expressing and weaving those places and their multiple meanings.

According to Phil there is always more than one story to any place. There are a multiplicity of objects and environments around surrounding us which generally remain unnoticed unless you are prepared to look more closely. Paying extreme attention to everyday textures and their relationships highlights the creativity of nature in a landscape or urban environment and forms its own narrative. It’s walking with a whole different perspective. Letting your mind wander is essential and creating narratives from what you discover is imperative.

On our wet and windy walk around St Ives, we found many quirky, normally unnoticed objects.  We took our time to closely observe them taking great delight in discussing their relevance, beauty and raison d’être.

I don’t think a simple walk will ever be the same again!