Tag: Falmouth University

Peter Doig in conversation with Matthew Higgs

ARTBLOG – GROUNDWORK

One of the highlights of being part of the Groundworks Team is having a schedule of events at my fingertips. So whilst consulting the literature for some visitors I noticed that an evening of conversation was planned with the renowned artist Peter Doig and immediately booked myself a seat.

The evening did not disappoint despite the sudden monsoon type drenching I received on my way down to the Woodlane campus. The easy conversation between curator Matthew Higgs, (director of the influential alternative art space White Columns in New York) and former colleague Peter flowed effortlessly and provided a unique insight into Peter’s career.

The two former RCA colleagues have made a special visit to Cornwall’s shores to curate an exhibition in St Just at the Jackson Foundation Gallery featuring the Afro Caribbean artist Denzel Forrester. The evening led us through Peters last thirty years as an artist and being in London at the time of the YBA movement in the 1990’s. Noted for their shock tactics, use of throwaway materials and oppositional and entrepreneurial attitude the YBA group of visual artists received an abundance of media coverage.

As an artist practising at the same time Peter’s own work was quickly recognised and he was nominated for the Turner prize in 1994 after some early exhibitions at The Whitechapel Art Gallery. His time at the played an influential factor in bringing his work into the public eye

Peter lived in London for 30 years and moved to Trinidad in 2002 after which the Tate Britain held a retrospective of his work in 2008. Born in Scotland but a resident of Canada and Trinidad for most of his childhood both have had an influential effect on his work.

In 2007, White Canoe set a record for the highest price for a piece sold by a living European artist. This 11 million price tag was surpassed by Doig’s enchanting piece Swamped,  which went to a new owner for 26 million, then again last year when  “Rosedale,” of a Toronto snowfall, went to auction and was sold to a telephone bidder for 28 million.

Peter’s visit to Cornwall is noteworthy not only to celebrate his artistic achievements but also for his involvement in the curation and promotion of Denzel Forrester’s work in St Just. From Trench Town to Porthtowan will be on show from May 26 – June 23rd, 2018.

The exhibition presents a career-spanning collection of Denzel’s large-scale paintings which explore a diverse range of themes from sewing bags with his mother to the world of London’s dub reggae clubs.

 

Visual FX – Ben Toogood

I graduated from my first course Falmouth School of Art nearly thirty years ago. It was a unique course which evolved during its four-year duration. The course introduced us to a wide variety of media for conveying information including video & animation. Consequently, quite a few of the GID’s, as we are collectively known, pursued a career either in CGI or character animation. A few, including my nearest and dearest, went on to perfect their skills at Bournemouth and subsequently rubbed shoulders with the Aardman team. So when I heard  Ben Toogood was to give a lecture on Visual FX, I couldn’t miss the opportunity to slip into the magnificently lit Chapel lecture theatre to listen.

Ben’s career so far has also given him the opportunity to work with Weta and MPC. As a result, his work can be seen in some amazing films including Superman Returns; King Kong; Wallace and Gromit: The Curse of the Were-Rabbit and a couple of  Harry Potter films

Now Head of 3D for the Aardman Animations CGI department, his current work is varied. Which he elaborated upon in his lecture. Budget, safety, quality and just achieving the impossible are at the root of much of Aardman’s current FX work. The CGI department’s specialism is lighting/rendering processes and technologies for TV dramas, commercials and films. A bulk of their work also involves creating environments, crowds and even digital doubles.

Ben’s informative and well-structured lecture delivered some constructive advice on how FX is used throughout the industry. It also introduced the current batch of animation students to the possibilities of work outside the realm of character driven animation. Food for thought for any inspiring animators.

The final show – Authorial Practice

ART BLOG

Last night saw the end of the academic year for the MA Authorial Practice Students.

In a small gathering in Lamorva House, Falmouth we celebrated the ingenuity and creativity of this year’s graduates who have explored the medium of illustration to its fullest potential.Their work was inspiring and of outstanding quality, bordering on fine art with in-depth thinking and profound, explorative concepts.

It wasn’t any great surprise that the graduate’s work was so exceptional, as the course is ‘one of its kind’ run by dedicated staff, with an academic focus on personal origination in storytelling.

On paper, it sounds too good to be true. In reality, it seems to be delivering all it promises. I’m quite tempted to sign myself up!

Only 25 days until the official launch

The South West Outdoor Festival is just 25 days away, that’s less than 4 weeks until our little book is released into the public domain.

As the “first collaborative publishing venture of its kind” between the National Trust and Falmouth University, publishing best magazine The Bookseller has kick-started our latest publicity drive with a great write up of the joint venture.

Read the complete article for more information on this groundbreaking project…

The Nick Darke Awards

The Nick Darke Writers’ Award 2017 entries closed in late May this year, after which a group of staff and students was set the task of reading every one of the 950 scripts.

Ranging in length from 20 to 150 pages this was no mean feat. As one of the volunteer readers, I read over ten scripts in under a month, all of which varied enormously not only in length but in theme and quality too.The shortlist is announced on the 1st September and the winner is announced at an awards ceremony on the 11th November.

Established in 2006 the wards we created to celebrate the best writing for stage, screen and radio. Funded by Falmouth University’s Academy of Music and Theatre Arts, and the School of Writing & Journalism, The Nick Darke Writers’ Award commemorates the playwright Nick Darke who wrote in many forms but earned his living in the world of theatre, screen and radio.

Open to all national and international writers aged 16 or over, the £6,000 Award provides the time to write that financial support facilitates.