ART BLOG – GROUNDWORK FRIDAY 11/05/2018
This week marked the opening of Christina Mackie’s intriguing contemporary sculptural installation to the visitors of Godolphin House, Helston.
Housed in the magnificent Kings room, the installation has the luxury of commanding the complete space, which has been specially adapted for the exhibition. Part of the Groundwork Art programme for the summer, visitors to Godolphin have the opportunity to absorb Christina’s complex collection of work at their leisure even when the house is not open to the public.
Fired at the same temperatures that rock is transformed into magma, Christina’s sculptural ceramic pieces which dominate the installation are a response to an extinct volcano in New South Wales, Australia. Also combined with the installation both on top and underneath the carefully planned trestle tables are various other elements which invite visitors to explore Christina’s theme. Piles of mineral sand are funnelled and poured between objects and minerals are incorporated into paintings as pigments and as glazes on the ceramic pieces.
Two video works also play out silently underneath the tables.
Fall force, a 3D wireframe animation deals with the theme of time and grinding down and flowing away of human endeavour.
Planet, considers the theme of landscape, earth’s characteristics and forces being as visible in a lump of mineral as in the whole landscape considers the theme of landscape, earth’s characteristics and forces being as visible in a lump of mineral as in the whole landscape, the mechanism of crystals being present in both scales and the beauty of the earth.
Christina Mackie is an internationally celebrated artist, best known for her composite sculptural installations, which unite disparate elements in a state of temporary synthesis. Born in England in the mid-1950’s, she was raised in Canada but resettled back in London in the 1980s.
Her amazing body of work Judges II, has been lent by the Arts Council and brought to Cornish shores by the Groundworks programme with the support of CAST, Kestle Barton, Tate St Ives and Newlyn Art Gallery & The Exchange. The unique setting for this a rarely viewed installation has been kindly provided by The National Trust.